The Moody Blues sold tens of millions of albums, released a Christmas song called 'Don't Need A Reindeer', and discovered the lost chord in 1968. But there's got to be more to the band than that, surely? Here's ten reasons to celebrate the Blues.
Ten Strange Reasons To Love The Moody Blues
There's much more to The Moodys than 'Nights In White Satin'
They used to be named after a brewery. An early name for the band was 'M&B Five', named in tribute to the Mitchells & Butlers brewery in Birmingham — the band hoped the company would give them a sponsorship deal, although it's unclear whether payment would be made in money or in beer. Today, Mitchells & Butlers runs several successful restaurant brands, including the Toby Carvery Sandwich Express chain.
Denny Laine was once in a band called Balls. They were a short-lived Midlands supergroup who released just one single, the anti-war song Fight For My Country, which was came out after they'd spilt up. Rumours persist of a lost demo recording featuring John Lennon and Brian Jones.
Their version of Nights In White Satin wasn't the first. While Justin Hayward may have written the song, a French outfit called Les Jelly Rolls got there first and released it as a single in Italy.
Nights In White Satin inspired a ghost train. Situated in the 'British Invasion' section of the Hard Rock Park in Myrtle Beach, South Carolina, 'Nights in White Satin: The Trip' was a theme park ride featuring a glow in the dark knight, a holographic skull and a rotating tunnel.
They rescued the DVD release of nostalgic cop show Life On Mars. The Strawbs' Lay Down featured in the second series, but couldn't be used for the DVD release. In stepped the Moodys, and The Story In Your Eyes was used to plug the gap.
Star Cops. A half-forgotten sci-fi series with a theme, It Won't Be Easy, written and sung by Justin Hayward and produced by Tony Visconti. One critic later called it "the worst single theme tune of any TV show ever". This is the kind of thing great cult TV is built on.
Mike Pinder worked for Atari. After leaving the band in 1978, Pinder player became a consultant for Atari, working on music synthesis and demoing equipment like the company's 'Notator' midi music sequencer at trade fairs.
They invented progressive rock. There's nothing more prog than the Mellotron, and Mike Pinder was amongst the first to use one, having previously worked at Streetly Electronics, the manufacturer. This expertise came in use frequently, as the Mellotron was extremely unreliable.
They ran their own record shop. Threshold Records was launched as a label initially (Glen Hughes's Trapeze would be amongst the first to sign up) then as a shop, quickly expanding to include branches in Swindon, Andover and Chichester. Customers at the main Cobham branch, also home to the band's fan club, included Who drummer Kenney Jones, golfer Colin Montgomery and disgraced PR guru Max Clifford. It finally closed its doors in February 2011, to be replaced by a kitchen outfitter called Adaptations.