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Pink Floyd: The Making Of The Endless River

Featuring music recorded during The Division Bell sessions, The Endless River is the most eagerly awaited album of the last 20 years.

"It comes from all sorts of ideas,” explains David Gilmour of Floyd’s new album.

“Some of it is improvised, quite a bit of it is just the two of us, Rick [Wright] and me, or the three of us, improvising together. Some of it is half-written ideas that one of us had come up with, rehearsed and considered as a start point for something.” Those ideas often happened on the Astoria, Gilmour’s houseboat moored on the River Thames in Hampton, west London. It’s also where many peculiar events have taken place. Engineer Andy Jackson, who has worked with Pink Floyd and Gilmour since 1980, recalls sitting in the control room there in 2005 while Gilmour was recording On An Island. That’s when the call came through from Bob Geldof, asking if the long-dormant Floyd would play together again for the Live 8 concert. It was also there, seven years later, that Jackson learned there was to be a new Pink Floyd album, some 20 years after they had last released fresh material, and after years of Gilmour saying “absolutely, definitely not”. Another surprise was that Jackson would be working on it. “I was as amazed as you are,” he says, standing in the oak-panelled room on the boat, once owned by theatrical impresario Fred Karno.

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