Cover Story: Opeth - Still Life
Uncovering the stories behind great prog album artwork...
Opeth - Still Life
This was the fourth album from Opeth, and saw them moving further away from theitr death metal roots, and into a more progressive sound. It was the second time the band had gone for an overall concept, which they'd first done a year earlier with My Arms, Your Hearse. It was also the start of an ongoing relationship with Travis Smith, who has done the artwork for every subsequent Opeth album.
How did you meet the band?
“Well, I told a client of mine that I would love to work with the band. Now, they happened to be a friend of Mikael Akerfeldt's as well. And the next thing I knew, I got an email from Mikael. And we kept in touch after that.”
How did you come up with the idea?
“It really came after Mikael explained the concept behind the album. As he went through the story of how the main character was banished from their home town because he didn't share their faith, then returned several years later to reconnect with his girlfriend and what happened afterwards, the image just came to me.”
Had you heard the music beforehand (and what did you think)?
“No, I hadn't heard anything at all from the album. In fact, I didn't get to hear any music until I was sent a finished copy of the album. But once I listened to what the band had done musically, I loved it. And it seemed to fit my thoughts as to the overall atmosphere.”
Explain the concept
“What I was doing was trying to capture the feelings and emotions of Melinda, the female character in this tragic story. It's Melinda coming to terms with the death of her lover, and the deep-rooted of loss she has at the time. I chose the colours to reflect the fact that, as with so much of Opeth's music, there's an overall darkness here, but it has a mysterious quality as well. I also got to come up with new artwork for Still Life in 2008, when a new edition was released.”
was the reaction (from band, management, label, fans)?
“Well, it certainly seemed to be a good one on all fronts. It started a relationship with the band that's ongoing, so I assume they were happy with what I did here. In fact, I'd say my relationship with Opeth is one of the most rewarding I have with any band I've worked alongside.”