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The rise and acrimonious fall of Rory Gallagher's Taste...

Cork power trio Taste blazed onto the blues scene, propelled by Rory Gallagher’s incendiary guitar. Fours years later they blew up in a maelstrom of betrayal…

July, 1967, and Taste are settling into their residency at Belfast’s Club Rado in The Maritime Hotel.

Already the Cork trio have picked up a loyal local following, and the ballroom is packed with students, sailors, working girls, local bands and music fans from across Northern Ireland. Some are merely curious, wanting to check the hot new ‘southern’ guitar-slinger in town; other are already converts and spreading the gospel that proclaims: “Taste are the best Irish band since Them!” The Rado’s atmosphere is thick with cigarette smoke and excitement as youths pack themselves against the stage, spilling beer as they cheer on the band.

The three teenagers who make up Taste are enjoying themselves immensely. They play a dynamic mixture of blues covers and original songs, sounding raw and dynamic. Their 19-year-old guitarist and vocalist Rory Gallagher blazes up  front, his T-shirt soaked in sweat while he caresses great rips  of sound from his beloved Fender Stratocaster. Taste slow  things for Catfish. Youths punch the air as Gallagher channels feedback into his solo, while sailors whoop with joy and hug  the ladies they call “shore relief”. 

When Catfish finishes, Gallagher announces, “This one’s  a new one I just wrote called Blister On The Moon.” He then  plays a stinging riff and sings, ‘Everybody is saying what to do and  what to think/and when to ask permission when you feel you want to  blink.’ Right now, after years spent in showbands, being told  what to play and how to behave, Gallagher is revelling in the freedom of making his music, his way. And Belfast loves him  for his freedom and defiance.

Admittedly, not all of Belfast does. Later that evening, after Taste finish their first set, Gallagher steps outside the Rado, wanting some fresh air and quiet. Suddenly, a group of youths surround him, and they aren’t ones he recognises from the venue. “Got a cigarette?” one asks. “Sorry, I don’t smoke,” replies Gallagher. Suddenly he’s set upon. Not for his lack of tobacco, but because his accent gives him away: he’s from the south and on the wrong side of town. Gallagher stumbles, almost falls, but manages to regain his balance as fists and feet rain upon him. He runs for his life and within minutes is inside Club Rado. Everyone notices Gallagher’s terrified expression and battered features. They don’t have to ask what happened. Instead, the Rado faithful empty onto the street, and suddenly the gloating gang are fleeing as music lovers teach the bigots a lesson. An unspoken rule at the Rado involves leaving religion, politics, whatever else, outside. Here Belfast gathers to celebrate the gospel of great blues and jazz and rock’n’roll. And throughout his life, Rory Gallagher always embodied such unity.

If Taste took beautiful shape in Belfast across the summer of 1967 – a summer, locals noted, not marked by love – they would cease to exist in this same city some three and a half years later in the depths of winter. Taste’s final performance took place at Queen’s University, Belfast, on New Year’s Eve, 1970. As the band waited to go on stage for a final time, car bombs exploded across the city. On a wet, windswept, bomb-scarred Belfast night, Taste ended in an atmosphere as bitter as the city’s climate.

Taste’s brief timeline runs like this: formed in Cork in late 1966, they quickly established themselves in Belfast in 1967, then began to win wider recognition with their regular forays at London’s Marquee. As their UK status rose, manager Eddie Kennedy insisted on changing the band’s rhythm section before they released their eponymous debut album in April 1969. This album achieved immediate continental success.

The band were championed by fellow musicians – the likes of John Lennon and Eric Clapton publicly praised Taste before they even had a record deal – and they played support at Cream’s Royal Albert Hall farewell concerts, as well as touring the US opening for Blind Faith. Their On The Boards album (released January 1, 1970) won wide critical acclaim and chart success. Taste provided a standout performance at 1970’s Isle Of Wight Festival yet split acrimoniously at the end of that year. Rory Gallagher immediately set off on his solo career while the rhythm section formed Stud, a band as forgettable as their name is vulgar. A flurry of Taste live albums and a collection of 1967 Belfast demos were released across the 1970s, none with Gallagher’s permission or approval.

Those who love Taste’s music must wonder why this band, who shone so brightly and so briefly, appear to have been banished. Gallagher refused to include Taste material in his live sets for the rest of his life: that he felt such enmity towards what he experienced in the band that took him from the showband circuit to international stardom suggests severe trauma. Yet the music contained on Taste’s two studio albums is superb: their eponymous debut is dynamic late-1960s blues rock, while On The Boards is a striking blend of blues, jazz, rock and pastoral psychedelia. Taste were both critically acclaimed and commercially successful, yet in the decades since they split up, their legacy has been marginalised.

This is finally about to change. A Taste box set, I’ll Remember, is being released alongside a DVD containing the band’s Isle Of Wight performance. These releases are due to the diligence and care of the Gallagher estate, who have worked tirelessly to ensure that Rory’s legacy is properly handled. “For me, Taste has always been a passion,” says Donal Gallagher, Rory’s only sibling, “but this has been a walk through a nettle field.”


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