It's Prog, Jim, But Not As We Know It: The Chambers Brothers
Making the case for The Chambers Brothers - The Time Has Come's addition to the prog canon
For whatever reason, not many bands who’ve come from a soul background have ever effectively embraced psychedelic prog. The Chambers Brothers are one of the exceptions.
Hailing from Mississippi, they got their first taste of musical performance in a local baptist church. When eldest brother George was discharged from the army, they relocated to LA, and spent the next decade playing a mixture of gospel and folk. It was in ’65 when they got their big break. American folk singer and former member of the Weavers, Pete Seeger helped get them on the bill for the prestigious Newport Folk Festival, and they received such a strong reception that it led to further appearances at high profile venues like Fillmore West in San Francisco and Fillmore East in New York.
By this juncture, the brothers – bassist George, guitarists Willie and Joe plus harmonica player Lester – had developed a style that was a mix of rock and soul, with daubs of gospel and blues. But by 1967, when The Time Has Come was released, they’d signed to Columbia, convincingly reinventing themselves as a band, and had revised their approach to include more than a hint of the psychedelic sound which was sweeping the nation at the time. It’s on this album where it all comes into fruition. With the addition of drummer Brian Keenan, the band stretched out and engagingly explore how to organically meld their established soul and gospel inferences with a more rigorous psychedelic routing. It’s a triumph.