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Miss Behaviour: Last Woman Standing

Album Review

AOR newbies with classy debut.

It’s easy to see why Sweden’s Miss Behaviour have burst onto the melodic hard rock scene with such a flourish.

Complete with layered guitars and whoa-whoa backing, if opening track, 1988, doesn’t lay the band’s cards on the table firmly enough then Cynthia, a driving-paced, keyboard-rich, sugar-coated rocker renders their agenda crystal clear. 

Citing Magnum, Journey, Foreigner, Yngwie and Europe as influences, the quartet play effortless-sounding, harmonious hard rock, overlain with great, accent-free vocals. The 1980s are freely celebrated here – Miss Behaviour don’t wear spandex or sport puffed-up hair, but they almost should. 

Perfect War, which features a guest solo from former Helloween/current Masterplan guitarist Roland Grapow, reveals the group at their heaviest, but the importance of a memorable hook continues to exert its influence. Even when a song is stretched out to seven minutes long, a deliciously pompous duet between Roos and Kajsa Berg, your attention remains intact. 

H.E.A.T. and Houston, you have rivals.

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