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Pop Will Eat Itself: New Noise Designed By A Sadist

Album Review

Crabb alone brings PWEI back.

No one’s expecting them to come back with another Beaver Patrol, but it’s not unreasonable to wonder what the point of a PWEI comeback is 17 years after the zeitgeist-chasers’ last album, and with only one original member, Graham Crabb.

Now joined by Pitchshifter drummer Jason Bowld and Grebo also-ran Mary Byker, any fears that New Noise... is going to be a washed-up parp of disillusion from men stranded far past their prime aren’t going to be alleviated by the opening track proper, Chaos & Mayhem, its listless, snotty vocals recalling Carter The Unstoppable Sex Machine. 

But New Noise... is the sound of a band rousing itself, refitting itself into old skin and finding the joints in perfect working order. 

The stop-start fuel injected intro to Nosebleed Turbo TV bursting into a plethora of gloriously dishevelled, dancefloor-igniting beats and pulses and the gauntlet-throwing Oldskool Cool’s insouciant defiance all have the air of a gang throwing two fingers to the world, pissing in the wind and having a ball while they’re at it.

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