Quidam are a six-piece from Poland who have been recording together since the mid-90s, making a kind of progressive rock lite/middlebrow prog in the vein of Pink Floyd circa the ambient rock of Wish You Were Here or Phil Collins-era Genesis. The singer, Bartosz Kossowicz, has a lightly rasping voice that has elements of both Collins and Peter Gabriel.
Challenging listen from the Polish proggers.
Other touchstones would be The Moody Blues and Marillion for this grandiose brand of symphonic bluster, with the usual guitar, bass and drums augmented by flutes, mandolin, dobro, cello and acoustic bass.
But it’s the vocals that dominate, even intrude. Not only is Kossowicz way upfront in the mix, he’s mainly singing in Polish, and so you get to hear this precisely enunciated, almost croony and more than a little unctuous voice, competing and sometimes all but drowning out the instruments and dramatic arrangements.
This would be less annoying if you could understand what he was saying. Occasionally, such as on Walec, he sings in English, and although the words are hardly original (‘I run but it’s far to go,’ indeed), it beats being blared at in what for many listeners will be an incomprehensible tongue.