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Bob Dylan & The Band: The Basement Tapes Complete: Vol II

Album Review

Bob and The Band bring it all back home for a million-dollar bash.

Consider the irony: Bob Dylan and The Band’s so-called Basement Tapes (mostly recorded in Dylan’s Woodstock ‘Red Room’) stake a claim for being the first mass-produced 60s bootleg. Known as the Great White Wonder, many of the cuts didn’t see an official release until 1975, during which time the artists had revisited the most commercial tracks on Music From Big Pink, or in the case of The Mighty Quinn (Quinn the Eskimo) on Self Portrait and Greatest Hits Vol II, leaving The Byrds and McGuinness Flint to mop up goodies from a crackly publishing demo. Now the majority of the sessions from Dylan and his Canadian chums arrive with a dire warning not to share this music, or the gods of Watermark will descend with tears of rage.


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