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Yes: Progeny – Seven Shows From Seventy-Two

Album Review

They want to be in America.

In late 1972 the mighty Yes, masters of ornate prog, were arguably at their peak. They were also in some disarray, since Bill Bruford’s departure meant new drummer Alan White had just weeks to learn his complex parts for a US tour. And it’s from recently rediscovered recordings of those shows that this new collection comes.


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