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Grave Pleasure: Dreamcrash

Album Review

Beastmilk’s new incarnation dance in the ruins

In their previous incarnation as Beastmilk, Grave Pleasures released Climax – one of the finest, danceably catchy, anthemic debut albums of the last decade.

It doesn’t take very long into a listen of Dreamcrash to realise this is a different beast. For one, Kurt Ballou’s lush, abrasive production has been replaced by a more stripped-down, punkier sound that adds to the frosty edge, but robs it of initial impact. More importantly, the hedonistic atmosphere has changed. 


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