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Steak Number Eight: Kosmokoma

Album Review

Belgium’s post-metal awkward squad forge ahead

Still best known for their brilliant Dickhead video of a few years ago, Steak Number Eight seem to suffer for their laudable gift of not fitting in.

Kosmokoma once again showcases a band with a ludicrous amount of ideas and a vast amount of energy with which to implement them. They remain impossible to pin down: the opening Return Of The Kolomon skips from galloping mathcore to dreamy post-rock, and back again, with insouciant cheek and a tangible sense of ‘We’ve only just started!’ 


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