Miasmal: Tides Of Omniscience
Swedish revivalists still torn between two worlds
Amongst the current generation of Swedish bands determined to refresh the death metal of old, only Morbus Chron managed to fulfil their early promise, whereas reaction towards Miasmal’s first two albums seemed muted compared to all the accolades their demo had received just a year prior.
Was it because with members coming from the d-beat scene (Agrimonia, Martyrdöd), everyone was expecting a crustier sound? Or was it down to the band being torn between reliving the glory days of early Entombed and moving forward?