The best art rock you can buy this month
Chris Roberts samples the new releases on the prog/rock boundary
We’ll open with Closure (Second Language), the forlorn farewell album from Anglo-French artisans Piano Magic. Over a 20-year career they’ve collaborated with everyone from Dead Can Dance to Vashti Bunyan, but their own vein of faintly depressed dark wave – they prefer “ghost rock” – has never quite drawn attention like sonic siblings Tindersticks or Luna have. Thus singer/guitarist Glen Johnson and cohorts are calling it a day, bringing their devoted cult following to tears they’d have shed anyway, listening to this. There are obligatory tales of late nights and lost love, a character on Landline who keeps the answering-machine tapes of his ex, and detailed images of less-celebrated London locales. The 11-minute title track broods like Brando hatching eggs. Their restrained angst will be missed.