Radio Moscow - New Beginnings album review
Freewheeling blues/psych troupe keep spreading the jams
San Diego’s feverish psych rock revivalists have returned with another bong-sparking blowout, packed to the brim with blazing tempos, cartwheeling jams and the wild-eyed shredding of frontman Parker Griggs. Expertly channelling the kaleidoscopic intersection of electric blues and cosmic psychedelia in the late 60s, tracks like Last To Know and Deceiver richly evoke the sense of freewheeling indulgence and improvisational showmanship of that era. Jams build upon jams without any regard for brevity and restraint, in sharp contrast to modern conventions. That said, the field of microscopy has yet to advance to the degree necessary to measure the stylistic differences between the new album and its predecessor, Magic Dirt. As such, New Beginnings is not so much a new chapter as a defiantly joyful celebration of the Zeppelin style of blues that would one day give birth to heavy metal.